Antropofagia, passado prático e usos do passado em Como era gostoso o meu francês (1971) de Nelson Pereira dos Santos

Francisco Santiago Júnior

doi:10.15848/hh.v0i20.983

Anthropophagy, memory cultural and uses of past in How tasty was my little frenchman (1971) by Nelson Pereira dos Santos

Authors

Francisco Santiago Júnior Universidade Federal do Rio Grande do Norte

DOI:

https://doi.org/10.15848/hh.v0i20.983

Keywords:

Cinema, Image, Historical culture

Abstract

The modernist tradition of anthropophagy is one of the matries of the images of the past of the Brazilian cultural memory. The film and visual culture are instances in which the knowledge of the past comes and circulates in society, this text points the use of the trope of anthropophagy in the film How tasty was my little frenchman (1971) by Nelson Pereira dos Santos. Merging the tropology with iconology, we observe the specificity of anthropophagy in the early 1970s and the displacement of the modernist legacy, highlighting the public use of the past in narrative film during the civil-military regime.

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Author Biography

Francisco Santiago Júnior, Universidade Federal do Rio Grande do Norte

Formado em História pela UFPI. Mestre em Multimeios pela UNICAMP. Doutor em História pela UFF. Pesquisador da área de história das imagens, com ênfase em cinema e história, teoria da imagem, teoria da história, história, arte e cultura afro-brasileira, cinema de vanguarda europeu, metodologia da pesquisa com multimeios. Leciona disciplinas: História da Arte, Teoria da História, Memória e Patrimônio Histórico.

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157-175 (Português (Brasil))

Published

2016-07-20

How to Cite

SANTIAGO JÚNIOR, F. Anthropophagy, memory cultural and uses of past in How tasty was my little frenchman (1971) by Nelson Pereira dos Santos. História da Historiografia: International Journal of Theory and History of Historiography, Ouro Preto, v. 9, n. 20, 2016. DOI: 10.15848/hh.v0i20.983. Disponível em: https://historiadahistoriografia.com.br/revista/article/view/983. Acesso em: 3 jul. 2024.

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Issue

Vol. 9 No. 20 (2016)

Section

Article

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